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The Moroccan artistic scene lost one of its great pillars on January 30, 2026, with the passing of artist Abdelhadi Belkhayat at the age of 86, after a battle with illness. He leaves behind a rich artistic legacy that forms an essential part of Morocco’s musical memory.
Born in Fez in 1940, Abdelhadi Belkhayat is considered one of the prominent pioneers of modern Moroccan song. Since the 1960s, he firmly established his name thanks to his distinctive voice and refined performance, blending Moroccan authenticity with classical Arabic influences during a time when Moroccan music was seeking its identity and wider recognition.
The late artist began his artistic journey early and received formal musical training, including studying at the Cairo Conservatory, which reflected in the quality of his artistic choices and the depth of his works. His star quickly rose both in Morocco and abroad, producing timeless pieces that remain in the hearts of the audience, including “Ya Bint Al Nas,” “Qatar Al Hayat,” “Al Qamar Al Ahmar,” and “Ya Dhak Al Insan,” songs that have become classics of Moroccan music.
Abdelhadi Belkhayat was distinguished by his powerful and warm voice, along with a performance style that combined deep emotion with seriousness. He was also known for his choice of sophisticated poetry and collaborations with top composers and poets, earning him a special place in the hearts of various generations.
In a notable turn in his career, Belkhayat announced in 2012 his retirement from traditional singing, turning toward spiritual music and religious chants—a decision that garnered widespread attention and reflected a contemplative side of his personality, seeking meaning. Since then, he gradually stepped away from the limelight, appearing only occasionally at religious or national events.
With the passing of Abdelhadi Belkhayat, Morocco bids farewell to an exceptional artist who contributed to cementing Moroccan song and elevating it to the status of widely recognized Arabic music. He leaves behind an artistic legacy that will remain a testament to a golden era in Moroccan art, and his voice will continue to resonate in memory, no matter how long the absence.
