Radio ExpressTV
Live
The Second Session of the Sculpture and Ceramics Forum: Honoring Eternal Artists
With support from the Ministry of Youth, Culture, and Communication – Culture Sector, in partnership with the Casablanca municipality, and in coordination with the local development company, Casa Events, as well as the Higher School of Fine Arts in Casablanca (ESBAC), the Atelier Athar Art Association organized the second session of the Sculpture and Ceramics Forum from February 12 to 28, 2026, at the historic site of the Old Cathedral of the Sacred Heart, and also at the Farid Belkahia Gallery, part of the Higher School of Fine Arts in Casablanca.
The forum dedicated a space for memory and recognition of artists whose works, commitment, and trajectories have left a profound mark on the history of sculpture and ceramics. These artists gathered under the theme “Memories,” described as eternal figures, as their legacy continues to illuminate contemporary practices and inspire current generations.
Abdelkarim Allam (1963–2021) developed sensitive and demanding artwork, paying attention to the intimate relationship between the artifact and the material. His approach reflects a constant pursuit of artistic authenticity.
Khalid Atlas (died in 2025) made a notable impact on the artistic scene with his prominent intellectual and creative presence, contributing to the expansion of aesthetic horizons.
Mohamed Bouadda (1952–2006) left behind work rich with formal exploration and expression, deeply engaged with time and context.
Pierre Bois (1944–2025) embodied a journey marked by rigor, experimentation, and cultural dialogue, transforming material into a true language.
Hassan Slawi (1946–2024) established his work within a conscious continuity, blending technical mastery with conceptual depth.
Mohamed El-Wardi (1944–2011) developed work rooted in the authenticity of gesture and fidelity to the craft’s spirit.
Ruggiero Giangiacomi (1930–2006) made significant contributions through his open perspective and ongoing dialogue with forms and cultures.
Sidiq Sidiqi (1935–1995) remains a symbolic figure, as his strong and committed work continues to nourish the discourse surrounding sculpture in Morocco. Mohamed Drissi (1946–2003) left a lasting mark with a practice distinguished by sensitivity and mastery of material with intense expression.
Through this tribute, the forum reveals its institutional responsibility: to preserve the memory of creators, acknowledge their crucial contributions, and solidify their legacy in the present. These eternal artists form the foundation of a living history that underpins contemporary sculptural and ceramic practices.
