Radio ExpressTV
Live
The second edition of the Sculpture and Ceramics Forum in Casablanca: A space for dialogue between generations and artistic sensitivities
Supported by the Ministry of Youth, Culture and Communication – Cultural Sector, in partnership with the City of Casablanca and coordinated with the local development company Casa Events, as well as the École Supérieure des Beaux-Arts in Casablanca (ESBAC), the Association of the Art Profiler organized the second edition of the Sculpture and Ceramics Forum from February 12 to 28, 2026, at the Heritage Space (the former Cathedral of the Sacred Heart), and at the unique Farid Belkahia Gallery affiliated with ESBAC.
This forum brought together a considerable number of artists whose diverse paths, aesthetics, and artistic stances reflect the vibrancy and richness of contemporary sculptural and ceramic creation in Morocco. This meeting serves as a foundational space for dialogue between generations, sensitivities, and practices, where the artwork is seen as a field for reflection, material experimentation, and the construction of artistic memory.
Among the participating artists is Ibrahim Achiban, whose work questions the expressive density of form and its ability to translate the human interior, and Abdel Rahman Amellal, known for his experimental approach derived from observing reality.
The forum also featured Said Amour, whose artistic research explores the tension between formal rigor and the spontaneity of marks, alongside Abdel Salam Azdam, a prominent figure known for his critical perspective on form and time. Mustafa Bekhi enriched this participation with work centered around the balance between tradition and modernity.
Artistic plurality is also reflected through Rashid Bakhouz, whose works lean towards direct expression, and Abdel Aziz Baqi, whose practice is grounded in a profound contemplation of structure and the symbolism of forms. Khaled Bayy provides a sensitivity that makes material a language in its own right.
Continuing the narrative are Jalil Ben Aasal and Saad Bouhamala, who present distinct experiences that converge in exploring the relationship between space, body, and impact. Abdel Qadir Bouhafi and Abdel Aziz Briz embody a generation aware of the significance of knowledge transfer and the continuity of sculptural practices.
The participation of Mustafa Boumzouq and Abdel Salam Shaara highlights the importance of a mature perspective shaped by experience, while Chaib Shakiri develops an artistic language that engages with contemporary questions.
Mustafa Dayf, Abdel Hay Diouri, Mohamed El Aidi, Abderrahim Lazhar, and Hussam al-Balri complete this initial list with unique approaches that oscillate between artisanal heritage, formal experimentation, and the interrogation of the present.
Among other exhibiting artists are Mohamed Al-Farqochi, who addresses the relationship between impact and artistic construction, and Ibrahim Al-Haysin, known for his sensitive approach to material and space. The work of Raqib Al-Haysin also falls within this exploration, where the sculpture becomes a field for poetic investigation.
The contemporary scene is enriched by distinctive approaches such as the works of Mohamed Al-Hrouchi and Mustafa Ghzalani, which combine formal rigor with expressiveness. Alongside them, Abdel Qadir Al-Ghrisi develops an artistic language rooted in raw material, while Mohamed Gozula explores tensions between tradition and modernity.
Florian Geber’s participation opens the forum to an international perspective, enhancing cultural dialogue on sculptural practices. Likewise, Hussein Ilan and Leila Al-Iraqi embody this diversity through works addressing intimacy, the body, and memory.
The journey continues with Rashid Ighli, Abdel Malek Lakbiar, and Mohamed Lakbiar, who propose artistic inquiries drawn from reality observation and material transformation. Additionally, Mohamed Al-Arabi and Fawziya Al-Jaidi contribute to this collective dynamic with clearly defined personal writings.
Said Al-Jaidi, Mohamed Jraidi, Abdel Aziz Lorhraz, Ali Maimoun, and Najat Mufid round out this artistic constellation, each presenting their unique vision of sculpture and ceramics as a contemporary language.
Abdel Hadi Mourd adopts an approach where formal rigor interacts with a sensitivity rooted in memory and experience. Mustafa Nafi’s practice is characterized by expertise and freedom of impact, bridging tradition and personal perspective. Ihsan Nteij explores material as a space for experimentation, balancing expressive tension with formal simplicity.
Abdel Aziz Wahid interrogates the relationships between structure, balance, and symbolism, granting his works a contemplative dimension. Mohamed Qalaqazi situates his work within a meticulous exploration of volumes and internal rhythms of forms. Abdel Baqi Raji’s journey is marked by depth and fidelity to the spirit of craftsmanship. Nuzha Al-Rawani asserts a special presence, transforming sensitivity, memory, and commitment into a work steeped in strong human significance. Additionally, Al-Bashir Al-Sadiqi develops a sculptural language connecting cultural heritage with contemporary inquiries.
Mohamed Al-Sanusi presents a work contemplating time, impact, and transformation, while Gilbert Sine offers a vision enriched by experience and intercultural dialogue, where the material becomes a bearer of meaning. Yasmin Al-Sijlamasi integrates her practice into a rigorous inquiry that aligns with the aesthetic and conceptual challenges of contemporary creation. Mohamed Tabaal explores the expressive potentials of form between spontaneity and conscious construction, whereas Adel Al-Tahri proposes a contemporary perspective touching upon the tensions of body, space, and material. Mahdi Bensina embodies a generation keen on experimentation and the intersections between disciplines, situating his work within a dynamic present.
The forum reaffirms its institutional message: to provide a space for vision, dialogue, and recognition of artists, while contributing to the valorization of sculpture and ceramics as essential domains of contemporary artistic creation. This plurality of voices and practices demonstrates that sculpture and ceramics manifest as vibrant forms, deeply rooted in the present, while simultaneously engaging in dialogue with heritage skills and artistic imagination.
